By Dan Cast
On the south side of Second Street in downtown Holden, Missouri, stands a striking historic edifice whose façade is much the same as it originally appeared. The Missouri Office of Historic Preservation describes it as having seven tall, elaborately hooded windows in an Italianate style building. The centrally placed doorway with a rope trimmed arch is flanked by pilasters with additional pilasters at the corners. Ornate stone cornices highlight the area beneath the roof. The building was a focus of cultural life in Holden during the late 1800’s and through the early decades of the 20th Century. The upper floor was accessed by a long stairway ending in an auditorium which seated 390 patrons for musical, oratorical, dance, and various other entertainment events. At different times the building was named The Lyric Opera House, The Davis Theater and the Holden Theater. Some accounts claim it remained operational into the late 1950’s. I would dispute that as I frequented the Holden Theater in the 1940’s, 1950’s and 1960’s but in a smaller building on the east side of the Lyric, now occupied by Country Creations Floral Shop. The ground floor was always occupied by retail shops and today houses the Key Coffee House, Kingdom Stone and The Lyric House Church. The upper level has been converted to an AirBnB. To me the building was always the Euglossian Hall. My former attempts to research that name led to a dead end.
I was on the verge of questioning my memory or my sanity over the Euglossian name when I found a copy of A Holden Centennial Pageant, written by my mother, Gene Cast, in 1958 where, indeed, The Euglossian Hall was referenced. In the same publication was an unreferenced photo of a news article attributed to C. G. Boisseau’s inquiry of Charles C. Tevis (1845-1928) as to why the hall was so named. Mr. Tevis responded that Euglossian is derived from a Greek word meaning oration. The Hall was erected by Mr. Tevis, the President of the First National Bank in Holden, together with Samuel S. Metzler, Grove V. Hall and Jas T. Willock. Urban Dictionary.com defines Euglossian as “fluency of tongue” which would seem an appropriate moniker for an establishment dedicated to oratory and music.
Further investigation led to the name, Ernest Kennedy Steele, born in Holden on May 24, 1874, the son of William Steele, Founder and President of Farmers and Commercial Bank (F&C Bank). Ernest was for several years employed at the Bank and assumed the presidency following his father’s death. He resigned that position after a brief period.
More important to my investigation, in 1905 Ernest Steele founded the Opera House in Holden. He then partnered with Walter Morhart and Fred Gregory. These gentlemen started a picture show in the Euglossian Hall with Miss Irene Morhart at the piano to enliven the silent pictures.
Quite by accident, I came upon the name, Edgar Lewis, born in 1869 in Holden. Mr. Lewis was first described as a ‘photo-play director’, a process by which still photos are displayed on a screen accompanied by a piano, an early precursor to silent movies. Mr. Lewis began his career as a stage actor and entered the film industry in 1911 as an actor, making his directorial debut two years later. He directed early silent films starring Douglas Fairbanks, William Farnum, Mary Pickford and Norma Talmage. He directed dozens of pictures between 1913 and 1930. He retired in 1935 and died in Los Angeles in 1938. He was truly a pioneer in the film industry and I don’t believe it to be any stretch of the imagination to suggest the likelihood that Edgar Lewis honed his early acting and production skills at the Lyric and Euglossian Halls.
Other notables said to have performed at the Euglossian Hall include Scott Joplin of Sedalia, Missouri, and Blind Boone of Warrensburg, Missouri.
One final note, an article on page four in the October 16, 1887 edition of the St. Louis Globe Democrat announced the death on October 15, 1887, of Mrs. Mattie Barrett Williams, an actress who was well known throughout the Western states for her performances in the role of the “Little Dutchess.” Mattie died of consumption at the Talmage House Hotel in Holden where her father, E.P. Barrett, was the proprietor. She was the star actress of the William M. Williams Troupe. Mattie was born in Utica, New York, on September 4, 1856, and died in Holden at age of 31. She is buried in the Holden Cemetery. Newspapers across Missouri displayed condolences for Mattie.
Mattie Barrett grew up in Holden and St. Louis. As a young teenager when the Euglossian Hall opened, I believe it was there that she was introduced to the stage and formed her love of acting which she parlayed into an amazing eight-year career cut short by her untimely death. She was surely encouraged by William M. Williams of Pleasant Hill, whom she married February 14, 1879. Mr. Williams was an actor and playwright.
From the Sedalia Weekly Bazoo, Tuesday, November 1, 1887, page five: In the death of Mrs. Mattie Williams, Holden loses a brilliant personage, of which, in life, she justly felt a pride. This was her home, the place of her marriage, the sacred spot of her final dissolution and where reposes all that is mortal of Mattie Willians, the renowned Little Dutchess.
My sincere personal thanks to The Center for Missouri Studies, The State Historical Society of Missouri, The University of Missouri Ellis Library, The Missouri Office of Historical Preservation, Gregory Bontz, Tim Bryant, Bruce Uhler, and Patricia Smith for your diligent help and support of this really fun and interesting look back at the history of the Euglossian Hall!